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Catalogue essay on leonardo da vinci
which was a procedure he frequently followed. Leonardo on Painting, New Haven and London, 1989. In 1650, the celebrated printmaker, Wenceslaus Hollar copied the painting in an etching, which he signed and dated, and inscribed. Given the extensive evidence, there is no reasonable doubt that the painting Hollar reproduced in his 1650 etching is the present, original version of the Salvator Mundi. " This would all be perfectly reasonable if the. He is believed to have been extremely productive during the early years of his return to Florence. .
Covers the full range of Leonardos work and thought chronologically. Clark, K and Pedretti, C The Drawings of Leonardo da Vinci in the Collection of Her Majesty the Queen at Windsor Castle, 3 vols, London, 1968 Popham, AE, The Drawings of Leonardo, London, 19 (with intro. Il codice Forster III, trascrizione diplomatica e critica di Augusto Marinoni (Florence: Giunti Barbra, 1992). One too easily jumps of course to the conclusion that the only way this painting was in fact lent for the exhibition was on condition that the sign explicitly state Leonardos name.
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The contract also stipulates funding for the necessary additions, such as assistants and scaffolding. . These included Carmen Bambach of the Metropolitan Museum of Art, David Allan Brown (Curator of Italian Painting, National Gallery of Art, Washington,.C. Happily, the recent restoration of the painting has successfully reduced the visual impact of those areas where losses were once evident. But let us set aside this caveat for the moment since this exhibition with its rare faults is nevertheless undeniably successful thanks, among other things to the quality of the hang, as is often the case in this museum. While a Classical, not a Christian, hero, Hercules had been Christianized as an embodiment of physical and moral fortitude.
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