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Movement and Modernity in Degas


movement and Modernity in Degas

northern And Southern Economies heralded later developments in modern art. He also tended to delineate his forms with greater clarity than Claude Monet and Camille Pissarro, using harder lines and thicker brushstrokes. One of the popular venues for the individuals that were to become the Impressionist to meet and discuss painting and art were Parisian cafs. So is froth and flounce. His anti-academic style and quintessentially modern subject matter soon attracted the attention of artists on the fringes and influenced a new type of painting that would diverge from the standards of the official salon.

Chicana And African American Feminist Movements
Death as the Other of High Modernity

Claude Monet is perhaps the most celebrated of the Impressionists. Considered a highly skilled draftsman and portraitist, Degas preferred indoor scenes of modern life: people sitting in cafs, musicians in an orchestra pit, ballet dancers performing mundane tasks at rehearsal. The Impressionists sought to capture the former - the optical effects of light - to convey the passage of time, changes in weather, and other shifts in the atmosphere in their canvases. Impression, Sunrise (1873 and accused the group of painting nothing but impressions. Picking up on the ideas of Gustave Courbet, the Impressionists aimed to be painters of the real - they aimed to extend the possible subjects for paintings. As he once put it, he wished to "redo Nicolas Poussin after nature and make Impressionism something solid and durable like the Old Masters." Czanne wished to break down objects into their basic geometric constituents and depict their essential building blocks. Le djeuner sur l'herbe (1863 which featured clothed men and naked women enjoying an afternoon picnic (the women were not classical depictions of a nude, but rather women that took off their clothes). Olympia (1863) gave the emerging group ideas to depict that were not previously considered art worthy. Though not yet united by any particular style, the fledgling group shared a general sense of antipathy toward overbearing academic standards of fine art, and decided to come together in the group themselves. By applying crude brushstrokes and impressionistic streaks of color, they evoke the rapid tempo of modern life as a central facet of late-19th-century urban society.

ART view; modernism oweebt TO degas.
Profound awareness of the vanity of that world and of the implacable movement of time.
In truth, Degas is a bit outside the historical reach of the Moder.
It picks up art history in earnest just after Impressionism, the movement with.


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