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Masks Culture of Africa


masks Culture of Africa

up until the spread of literacy in the 21st century, Gabon is rich in folklore and mythology. In Timeline of Art History. Ferndale Editions London orig. In most cases, mask-making is an art that is passed on from father to son, along with the knowledge of the symbolic meanings conveyed by such masks. New York: The Metropolitan Museum of Art, October 2003. 46 Lecoq, having worked as movement director at Teatro Piccalo in Italy, was influenced by the Commedia tradition. Disguise A rib knit three-hole balaclava allows the wearer to protect the face against cold air or hinder recognition. War masks are also popular.

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Jamie Ellin Forbes, "The resurrection of the beauty of Spring: Jeanette Korab at Carnevale de Venezia". The striking variety of ideas and purposes linked to masks has resulted in diverse artistic outcomes created by the numerous groups inhabiting the vast continent. For example, the Okahandja market in Namibia mostly sells masks that are produced in Zimbabwe (as they are cheaper and more easily available than local masks and, in turn, Zimbabwean mask-makers reproduce masks from virtually everywhere in Africa rather than from their own local heritage. See also: Venetian mask In the beginning of the new century, on, the Bulgarian archeologist Georgi Kitov discovered a 673 g gold mask in the burial mound "Svetitsata" near Shipka, Central Bulgaria. 54 Punitive Masks are sometimes used to punish the wearer either by signalling their humiliation or causing direct suffering: A "shameful" mask ( Schandmaske in German ) is devised for public humiliation; a popular reduced form are donkey ears for a bad pupil or student. Although the Dogons and Bamana people both believe the antelope symbolises agriculture, they interpret elements the masks differently.

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